Each character rhymes differently. The way that they are rapping contributes to their story. George Washington raps in a very on-beat, metronomic way because he is focused and driven and always moving forward. Lafayette has this great arc where he starts out rhyming words that don’t really rhyme and he can’t really figure it out. As he becomes comfortable — and a general — he can do this really complicated, technical, fast stuff. It’s like him mastering this language. Jefferson’s raps are so bouncy and all over the place, and part of it’s because I’m playing him — but Lin was writing with this interesting kind of West Coast feel:
[Raps from “Washington on Your Side.”] “If Washington isn’t gon’ listen to disciplined dissidents, this is the difference: This kid is out.”
It’s very bouncy, not necessarily story-focused. Jefferson doesn’t really have to worry about that because he’s an aristocrat, and he can do whatever he wants. He gets to play a little more. To pack all of that into this story, it’s like, oh man, of course it took you six years to write it. There’s very careful, methodical work going on here.
“Each character rhymes differently. The way that they are rapping contributes to their story. George Washington raps in a very on-beat, metro...”
Hamilton Cast Voices
Okieriete Onaodowan - A gentle earthquake feeding you chocolate.Anthony Ramos - The delicious icing and crumbs and cinnamon mixed together in the bottom of the box after you eat a cinnamon roll.Christopher Jackson - Drinking English Breakfast tea, sitting opposite a waterfall, in a cloud of mist.Dav...
Original Hamilton Casting CallNowThe casting call never lies
When your whole squad has finally listened to Hamilton: